Wednesday 27 May 2009

Django


No, not music from M. Reinhardt, but the soundtrack to one of my favourite spaghetti westerns. This bloody, macabre and surprisingly influential film by Sergio Corbucci (friend and rival to Leone) revolves around the eponymous gun runner and anti-hero, a shell-shocked veteran of the civil war. He has no horse, and drags a coffin through fields of mud. Inside the coffin is a machine gun that he hopes to trade for gold. He fetches up in a ghost town dominated by two rival gangs: Mexican bandidos and southern racists. Hilarity ensues. And by "Hilarity", I mean "A deluge of bloodshed and ear-eating". This is, after all, an Italian film from the 60s.

Over 30 (some say the count is closer to 100) unofficial sequels were filmed in the years following, thanks to Italian copyright laws being fucking absurd. Furthermore, Django has found homages being paid to it from the likes of Danzig, Joe Strummer, Rancid, Takashi Miike (whose recent film Sukiyaki Western Django is a quasi-prequel) and most famously Quentin Tarantino, who apes the controversial ear-cutting scene from Django for his Reservoir Dogs. Django, being a film verging on demented, goes further than Tarantino dared, and had the ear being fed to the victim. Oh, and the victim was a priest. Who then gets shot by his captors. Right. Yes, this got past the censors in 1966. How? After the censors requested its removal, Corbucci decided to "forget" to cut it from the film.

The music is by Luis Bacalov, Academy Award-nominated Argentine composer (you'll have heard some of his stuff if you've watched Kill Bill), and is exactly what you expect (and want) from a Spaghetti Western score, but on top of the general dramatics and atmospherics it also has a kitch and super-catchy melodramatic title track sung by Rocky Roberts (R.I.P.) to boot!

Download HERE

Saturday 23 May 2009

William S. Burroughs


Two albums from a man who doesn't really need an introduction. Spare Ass Annie contains recitations by Burroughs of pieces from a variety of his works, including the novels Nova Express and Naked Lunch, set to a mish-mash of hip-hop, musique concrète, orchestral schmaltz, and Christmas carols... an obvious attempt at musically recreating Burroughs' "cut-up" style of surreal, obscene stream of consciousness writings. And for the most part, it works really well. Plus, hearing Burroughs' arid, monotone wheeze of a voice is always a treat. And this album really is a treat to lay back and listen to. Great bedtime music... if you don't mind listening to a geriatric heroin addict ask you, "did I ever tell you about the man that taught his asshole to talk?"

Break Through In Grey Room is a collection of Burroughs' speeches and cut-up recordings performed and recorded between 1960 and 1976. The album comprises of two things. One is simply discussions on the pieces. The other is Burroughs recordings, cut up and remixed, done analogue. What it entailed was a tape recorder recording a different player whilst randomly speeding up, slowing down, reversing, and advancing the second player. What resulted was a blubbery and blurry mess of words that surprisingly creates new sentences and phrases. Here Burroughs claims, "When you cut into the present the future leaks out." There are also a handful of field recordings mixed into the tracklist, such as "Jojouka," featuring Ornette Coleman playing in the hills of Morocco. A great little record by one of the greatest provocateurs of 20th century avant-garde literature.

Download HERE et HERE

Sunday 17 May 2009

Exploring New Sounds In Stereo/Strings Aflame


Juan García Esquivel - Mexican bandleader, pianist and composer – was the king of what has come to be known as “Space Age Bachelor Pad Music”. On this, his fourth American released LP (here bundled alongside his fifth release), he does exactly what it says on the tin. Crafting sophisticated instrumental lounge music with jazz and Latin influences was his forte, but on this record he stretches his already varied and intelligent arrangements to include theramin, harpsichord and buzzimba (amongst others) to play alongside his usual brass section, Latin percussion, lush strings, mixed choir and virtuoso piano skills. Furthermore, it is interesting to note (for those of you unfamiliar with Esquivel) the use of voice on this album; whilst mainly instrumental, many songs do feature vocalists and choirs, but for the most part they are being used as percussion and non-lyric melodies, illustrated masterfully on a cha-cha-chá infused version of Boulevard Of Broken Dreams, replete with his signature zu-zus and ba-da-bas.

The whole album is incredibly varied, stretching from the theramin-led Spellbound (from the film of the same name), to a swinging harpsichord version of the theme from The Third Man, to fairly faithful interpretations of Greek folk tune Misirlou and Brahms’ Hungarian Dance #5. Throughout, the album is marked by fantastically creative arrangements and a constantly changing atmosphere, whilst retaining a cohesive, 60s lounge feeling.

It’s a bit redundant to say it these days, but it’s well worth listening to this in stereo. The album’s title wasn’t for nothing.

Twenty-two tracks of space age pop for your next cocktail party HERE (57mb)


Tuesday 5 May 2009

Answer me Ravinsky!


American radio-evangelist Bob Larson battles "The Keeper", attempting a live, on-air, over-the-phone exorcism. God bless the gullible and the deluded.

Bob Larson battles The Keeper

I Left My Heart In Rubacava


Because computer games can have great soundtracks, too.

Selections from Grim Fandango, one of the greatest games of all time. You are Manuel Calavera, skeletal travel agent to the recently deceased. Intrigue awaits you in the Land of the Dead, a world influenced by Art Deco, Mexican folklore and Film Noir.

Casino Calavera
Swanky Maximino
Hi-Tone Fandango
Blue Hector
Gambling Glottis
Companeros
Manny & Meche

If you like what you hear, you can download the full 32-track OST here, as well as (if you really like what you hear...) every single piece of incidental and ambient music from the game.